Chainsaw Man’s Potential Genderbent Adam and Eve Allegory

The latest developments in Chainsaw Man have ignited discussions around the Aging Devil, Asa Mitaka/Yoru, and Denji. Initially, Yoru engaged in combat against Pochita/Denji in his Hero of Hell form, but opted to confront the Aging Devil, who sinisterly proposed a deal to a gravely injured Pochita. This decision proved to be a pivotal error, as the Aging Devil merely gestured, sending both Asa/Yoru and Denji to an alternate plane.

From what we observe, it seems that they’ve landed in a peculiar realm where escaping is nearly an impossible feat. The nature of this new world has sparked numerous theories. One prominent theory suggests that the Aging Devil’s domain parallels the Garden of Eden, with Denji and Asa/Yoru reimagined as Adam and Eve in a gender-bent context. Let’s delve into this fascinating theory.

Disclaimer: This article speculates on plot elements and includes spoilers from the Chainsaw Man series.

Chainsaw Man: A Gender-Swapped Take on Adam and Eve

A fresh theory related to Chainsaw Man has emerged, presenting an intriguing perspective on the ongoing narrative. By chapter 180, we find Denji and Asa/Yoru ensnared in the realm governed by the Aging Devil. This world diverges significantly from reality, feeling devoid of any temporal order. The aforementioned theory draw parallels between this landscape and the Garden of Eden, casting Denji and Asa/Yoru as re-envisioned versions of Adam and Eve.

To explain further, consider the Garden of Eden. If we equate the Aging Devil to “God,” then Adam and Eve—i.e., our main characters—have been thrust back into this utopian garden. In this retelling, Denji is cast in the role of Eve, while Asa/Yoru portrays Adam. We witness Eve re-entering the Garden post-apple, perhaps this moment symbolizes a fresh chance for redemption. “She” seems to have relinquished her naivety, though the garden remains untainted.

This theory proposes that Denji’s character has adopted an “impure”identity following the events of Part I, which stands as an allegorical serpent. Meanwhile, Makima could be perceived as the apple, through which Denji’s innocence was stripped away. Throughout his life, Denji has never known a conventional existence, and here in the garden, he might have the opportunity to reclaim his lost innocence.

It’s plausible that Denji might opt to stay, which could significantly influence his character arc.

This theory weaves a complex narrative given the presence of two central figures, each embodying the Adam and Eve motif. However, they do not fulfill the roles for each other. Asa represents Adam, sacrificing a part of her existence (symbolized by her rib) to create Yoru (the contract). Yoru, as Eve, never possessed innocence, while Asa mirrors Adam who had no control over Yoru’s act of tasting the forbidden fruit.

A key point here is that Asa retains a form of innocence. Her character has evolved since the introduction of Yoru. Still, it’s important to note that the concept of innocence is nuanced, and given Asa’s tumultuous childhood, her innocence is already compromised. Accordingly, this theory positions Pochita as the serpent, whose past remains shrouded in mystery. Notably, Pochita’s powers of Devil Erasure resemble those of Primal Devils, creating a timeless world devoid of the Aging Devil’s influence. Yet, in this scenario, the “God” figure aims to confine them rather than exiling them. Similar to the serpent’s role, Pochita may well guide them out of this distorted predicament while Denji seeks to regain his lost purity and Asa recognizes that she can no longer be merely a passive observer.

As for Yoru, there is potential for her character to develop towards greater humanity, while Asa increasingly embraces her Devil nature. Eventually, we may witness a renewed Eve (Denji) and Adam (Asa/Yoru) emerging from this garden, ready to confront the Aging Devil together and thwart the imminent threat posed by the Death Devil.

Concluding Remarks

In sum, this theory presents a notably intricate framework compared to earlier conjectures circulating in the fandom. Drawing parallels to the Garden of Eden while reinterpreting the iconic narrative of Adam and Eve is certainly captivating, and the idea that Denji assumes the role of Eve while Asa/Yoru embodies Adam emerges as a compelling perspective.

Denji’s uniqueness as a protagonist lies in his singular wish for an ordinary life. Although he briefly yearned for fame as Chainsaw Man, such desires reflect the typical aspirations of a teenager receiving newfound attention.

Ultimately, Asa’s early loss of innocence and Yoru’s subsequent influence have cemented this reality. Asa now faces the challenge of acknowledging the weight of her circumstances, making informed decisions in her interactions with Yoru.

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