Criticism of Misogynistic Lines in Lee Min-ho’s New K-drama “When The Stars Gossip”

Criticism of Misogynistic Lines in Lee Min-ho’s New K-drama “When The Stars Gossip”

Controversy Erupts Over Misogynistic Lines in “When The Stars Gossip”

The highly anticipated K-drama “When The Stars Gossip,” formerly titled “Ask the Stars,” recently premiered featuring renowned actors Lee Min-ho and Gong Hyo-jin in leading roles. The show generated considerable excitement among fans, but swiftly became embroiled in controversy.

When The Stars Gossip
When The Stars Gossip

Viewers were quick to criticize a particular line delivered by Lee Min-ho’s character, who is portrayed as an obstetrician and gynecologist. The character’s background includes being raised by women from a bar, leading to an unconventional perspective on life and women.

In a narration reflecting on his upbringing and experiences, the character described his medical training and interactions with women in a manner that many found offensive:

“Attending classes and getting full marks for the SAT, enrolling in med school and seeing women’s uteruses every day, delivering babies on a daily basis. The auntie’s uterus was like alcohol, but also comforting. They were warm, and even if they were all wrinkled from smoking, the aunties’ breasts were very big and safe.”

This remark sparked outrage among Korean netizens, leading to heated discussions on popular forums, including a post on “theqoo” that garnered over 82,000 views and hundreds of comments.

When The Stars Gossip Screenshots

Netizens’ Reactions

Comments from viewers reflect deep discontent, highlighting that the language used in the show feels outdated and regressive:

  • “Is this sentiment still valid in 2025?”
  • “I was shocked by these lines too.”
  • “This dialogue is reminiscent of the early 2000s—so immature and out of touch.”
  • “Why is there even a reference to the uterus and breasts so openly?”
  • “The character further asks his aunts for money outside a bar, showing a troubling mind-set towards women.”
  • “It’s frustrating to see a drama that’s likely to undermine our progress on gender sensitivity in 2025.”

This backlash serves as a potent reminder of the evolving standards of social consciousness that audiences expect from contemporary media. As discussions around gender sensitivity grow, it raises the question: should entertainment adapt and mirror these societal changes?

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