Fans of Bleach and Attack on Titan found themselves in a heated debate on X when the latter boldly declared that their beloved series had the greatest anime soundtrack of all time. This statement sparked a passionate defense from fans of author Tite Kubo’s work, especially those who appreciate the Studio Pierrot adaptation known for its exceptional soundtrack.
It can be argued that Bleach and Attack on Titan both have strong cases for having the best soundtrack in the history of the medium. Both series have received widespread praise for various aspects, including their soundtracks. However, as music is subjective, it ultimately comes down to personal preference.
Please note that this article contains spoilers for both series.
Attack on Titan and Bleach Battle Over Superior Soundtrack
A fan of Attack on Titan on social media expressed their belief that this series has the greatest soundtrack in anime history, resulting in many like-minded individuals joining in and concurring with this viewpoint. Nevertheless, fans of other anime series interjected to challenge this opinion, with those who support Bleach being the most vocal.
When taking into account the fact that the Studio Pierrot adaptation of author Tite Kubo’s manga has consistently received praise for its soundtrack, even from those who may not be fans of the anime, it becomes clear that this is a logical conclusion. This is exemplified by the popular “Number One”track, which has become a defining feature of the series and is recognized as one of the most iconic songs in the entire medium.
Additionally, it is worth noting that Attack on Titan boasts a multitude of impressive soundtracks and songs, deserving of much recognition. Despite this, Kubo’s series also has numerous impactful moments. Furthermore, the incorporation of various cultures, such as Spanish music, is evident in the iconic track “Clavar La Espada,”which is often overlooked but remains a timeless classic within the anime industry.
Reactions Online
Throughout the years, there have been many comparisons between Bleach and Attack on Titan and other series. It was inevitable that a confrontation of this nature would eventually occur. People often engage in discussions about various aspects of their favorite series, even if it results in extreme moments.
Despite both being passionate fan bases, the fandom for Mangaka Hajime Isayama’s story is known for its extreme nature, particularly regarding the series’ ending. Similarly, fans of Kubo’s work have also faced criticism and trolling over the years, which may contribute to their strong reactions.
“AoT wishes it had music half as good as BLEACH,”someone said.
“Treachery sosuke aizen theme clears AOT titan theme,”another person said.
“For this I completely agree Bleach ost >aot ost,”someone else said.
![Ichigo Kurosaki as seen in the most recent anime (Image via Studio Pierrot). Ichigo Kurosaki as seen in the most recent anime (Image via Studio Pierrot).](https://cdn.amkstation.com/wp-content/uploads/2024/07/e47b9-17220355912246-1920.webp)
This is not meant to be a direct comparison between the two series in terms of storytelling, fight scenes, art, or any other element. It could be argued that this comparison is highly subjective, as the choice between the music produced by Studio MAPPA and Studio Pierrot ultimately depends on personal preference.
“People gotta stop acting like before Aot there were no good ost’s for animes it’s really irritating,”someone said.
“I’m not saying AOT soundtrack is bad but it has a certain identity that all of its tracks share. Shiro Sagisu on the other hand is able to make those grand epic tracks when need be while also making tracks like this, he’s in a class of his own imho,”another person said.
Despite the fact that Attack on Titan and Bleach are known for their amazing soundtracks, it should be noted that there are numerous other notable examples in both modern and classic anime, such as Saint Seiya and Fist of the North Star, that may not receive as much recognition. However, personal preference ultimately plays a role in determining which soundtracks are appreciated.
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