The Poneglyphs represent one of the most creative narrative elements in One Piece, delivering messages from ancient times to future generations. While the origins of these enigmatic stones remain a mystery, their significance to the overarching storyline of the series cannot be overstated. Some speculate that their creation is inspired by historical artifacts from Japan, a notion supported by Vegapunk’s statements.
Within the Egghead arc, Vegapunk disclosed that the Grand Line faced imminent flooding, drawing parallels to Japan’s geographical vulnerability to natural disasters like tsunamis, owing to its coastal position in the Pacific Ocean. Additionally, Japan is home to ‘tsunami stones,’ aged relics that bear engravings from those who lived centuries prior, mirroring the historical significance of Poneglyphs in the One Piece world.
Note: The following content may contain spoilers related to the One Piece manga and reflects the author’s personal insights.
Investigating the Origins of the Poneglyphs in One Piece
Poneglyphs are ancient artifacts in One Piece that convey messages related to historical events and possible future occurrences. Among the three categories of Poneglyphs, two stand out due to their critical importance.
The first type is the Historical Poneglyphs, which recount tales of ancient civilizations and significant events (for example, the one located at the Sea Forest in Fisherman Island, which expresses JoyBoy’s regret towards the Fishermen tribe). The second type, known as Road Poneglyphs, provides key information about certain locations, including the fabled Laugh Tale (illustrated by the one found at Zou).
In addition to these intriguing relics, Vegapunk’s discourse during the Egghead arc also dropped several hints regarding the past and foretold the Grand Line’s potential submersion, which could unveil more about the Poneglyphs’ origins.
Conversely, the historical ‘tsunami stones,’ found in Aneyoshi, Japan, date back over 600 years and contain inscriptions from communities affected by past tsunamis. These relics were extensively documented by Japanese researcher Shuichi Kawashima, categorizing them into two types.
The first variety is known as ‘To bring the souls to rest’ stones, which recount historical events or figureheads, closely paralleling the function of Historical Poneglyphs. The second category, ‘pray for safety’ stones, warns of locations future generations should heed, akin to the purpose behind Road Poneglyphs.
Given Japan’s exposure to frequent tsunamis, local residents often become desensitized to their risks. Similarly, the Grand Line, primarily composed of sea, creates a logical connection between Poneglyphs and tsunami stones, deepening the narrative ties.
Concluding Reflections
While this theory is captivating, it’s prudent to approach it with skepticism since the data concerning tsunami stones is not sourced from a verified Wikipedia entry.
This does not necessarily invalidate the facts regarding tsunami stones; however, their reliability remains uncertain. Nevertheless, the parallels between Eiichiro Oda’s universe and Japanese history certainly present an intriguing possibility for inspiration.
Image credits: Sportskeeda.com
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