The recent release of a Jujutsu Kaisen mandala artwork caused a stir among the fandom. The artwork showcased the beloved characters of the series, including Gojo Satoru, Ryomen Sukuna, Yuji Itadori, and Kenjaku. Despite its uniqueness, it did not receive much attention at the time.
Despite the progression of the story, it is possible that there is a hidden meaning behind it. Gege Akutami, the creator, has shown his brilliance in incorporating hidden details, references, and foreshadowing. Additionally, his inspiration from Buddhism and Japanese folklore adds depth to the story.
Therefore, at some point near the conclusion of the previous year, the mangaka unveiled a mandala artwork. Although it may have appeared unremarkable at first glance, there appears to be a more profound significance behind it. Let’s explore what that might be.
Please note: This article is based on speculation.
The Significance of Jujutsu Kaisen’s Mandala Artwork Revealed
Up until this point in Jujutsu Kaisen, Sukuna has heavily relied on Malevolent Shrine. It has been utilized against the Finger Bearer in the beginning, Mahoraga in Shibuya, Gojo Satoru, and most recently, a frenzied Yuji. Upon further examination, it can be noted that his recent applications of Malevolent Shrine have involved distinct hand gestures.
At first, the Demon King utilized Domain Expansion by using the hand sign “Enma Ten-In”, which is named after the King of Hell. This practice originated from Yama, also known as the King of the Dead Land. Both Sukuna and Yama were originally human before becoming the beings they are known as today.
Most recently, Sukuna created a new hand gesture for the use of Malevolent Shrine. This gesture is inspired by a different deity known as “Kokuzo Bosatsu”, the Boddhisattvas of Wisdom. The translation of this name roughly means “Womb of the Sky”, which aligns with the title of Jujutsu Kaisen Chapter 213— Cursed Womb: Under Heaven, Part 5.
Looking ahead, there appears to be a connection between these deities and the mandala artwork that was published. Specifically, the arrangement of the mandala bears a resemblance to that of a Buddhist Taizokai or Womb World Mandala, with each character’s position reflecting their corresponding deity in some way.
At the bottom of the Taizokai, Sukuna stands alongside Kokuzo Bosatsu. To the left are Jizo Bosatsu (Womb of the Earth) and Gojo Satoru. Jizo, like Gojo, is highly respected and cherished as a savior who brings comfort to those in need. Furthermore, Jizo is an enlightened being who chose to delay Buddhahood until all beings are liberated.
Jogaisho Bosatsu and Yuji Itadori stand side by side on the right. This deity is known for “blocking all obstacles”, including mental, emotional, and physical ones, to pave the way for progress. This quality is shared by Yuji, who perseveres through challenges.
Finally, the uppermost figure is Shaka Bosatsu and Kenjaku, which represents Buddha’s position. However, this can be interpreted in two ways. Firstly, it may be a reference to Master Tengen, as Kenjaku had possessed the Tengen fetus. Alternatively, it could also be seen as Kenjaku being the mastermind behind the entire scheme of Jujutsu Kaisen.
Concluding Thoughts
Repeatedly demonstrating his skill in foreshadowing and incorporating hidden references into the story, Gege Akutami has established himself as a master in this craft. While these details may appear unremarkable at first glance, upon closer examination, subsequent events reveal their significance.
This mandala remains within the same realm. Although it was initially not given much thought upon its release, the artwork was still impressive. However, as the story progressed from that point on, it is likely that a whole other dimension has been unlocked.
Thus far, this understanding of the mandala remains correct, as each character continues to align with their respective deities. As the manga reaches its climax, it is intriguing to anticipate what other surprises Akutami has in store.
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