Oshi no Ko Season 2 Episode 6: Tokyo Blade Stageplay Begins as Melt Steals the Spotlight with Aqua’s Advice

Oshi no Ko Season 2 Episode 6: Tokyo Blade Stageplay Begins as Melt Steals the Spotlight with Aqua’s Advice

The sixth episode of season 2 of Oshi no Ko, titled “Growth,”was broadcasted on Wednesday, August 7, 2024, at 11:00 pm JST. This episode kicks off the Tokyo Blade stage play and centers on Melt Narushima, whose exceptional performance surpasses the previous criticism he received for his subpar acting in the Sweet Today TV drama.

The episode showcases two acts of the play, with the latter portion highlighting Melt’s character development into a talented actor as a result of his determination, rigorous practice, and guidance from Aqua.

Please note: This article contains spoilers for episode 6 of season 2 of Oshi no Ko.

Oshi no Ko Season 2 Episode 6: Melt Shines with Improved Acting in the Tokyo Blade Stageplay

Oshi no Ko: The Stageplay Begins – Season 2 Episode 6 Opening Events

The sixth episode of Oshi no Ko season 2 kicks off with the Tokyo Blade stageplay, where the audience is introduced to the main characters. Act 1: Fin opens with Blade (Himekawa) and Tsurugi (Kana) meeting for the first time. After defeating Tsurugi and Kizami, who then join his group, Blade forms a strong alliance. The act concludes with Blade successfully bringing together the Shinjuku Cluster once again.

In Act 2, the Shinjuku Cluster and the Shibuya Cluster engage in a confrontation. The focus is on the clash between Kizami (Melt) and Monme (Sakuya). Initially, Sakuya’s exceptional acting abilities outshine Melt’s, leaving him struggling to keep pace. During a rehearsal flashback, Raida expresses gratitude to Kaburagi for recruiting Sakuya, commending his talent and expertise.

Himekawa as Blade (Image via Doga Kobo)
Himekawa as Blade (Image via Doga Kobo)

Raida recognizes Aqua and Kana’s abilities but raises doubts about Melt’s involvement. Kaburagi confesses that it was driven by his own personal gain, as he thought Raida would appreciate Melt’s desperate determination. He points out that Melt has changed since their time together in Sweet Today.

The attention shifts back to the present moment, as Sakuya is left in awe by Melt’s performance. Kaburagi comments that performers like Melt are known for leaving a lasting impact. Raida and Kaburagi both spot Yoriko among the spectators and recognize her as the most discerning evaluator of Melt’s show.

Oshi no Ko Season 2 Episode 6: Melt’s Past and Captivating Performance

Melt as Kizami (Image via Doga Kobo)
Melt as Kizami (Image via Doga Kobo)

In episode 6 of season 2 of Oshi no Ko, the focus shifts to Melt and his perspective. It is revealed that his past was filled with effortless popularity, which made him complacent and lacking in effort. While watching the play, Yoriko questions why someone like Melt, who is not a skilled actor, was given a role that someone else worked hard to create. She notes that his portrayal of Kizami does not align with the manga.

While on stage, Sakuya privately critiques Melt’s subpar acting. Melt himself acknowledges his lackluster skills and feels regretful for negatively impacting Sweet Today. He reflects on ways he could have improved, realizing that putting in more effort would have been beneficial. Later, during a run with Kana, Melt confides that he has begun taking acting lessons and following his tutor’s advice to improve his stamina.

Oshi no Ko’s sixth episode of season 2 centers around the ongoing battle between Kizami and Monme. Sakuya is impressed by Melt’s endurance during the intense fight, acknowledging his dedication to rehearsals. However, she also notes that the audience is beginning to see through his weak acting skills. This is evident in the reactions of the audience, as well as Abiko and Kaburagi.

A flashback shows Aqua giving Melt guidance on how to use the audience’s low expectations to his advantage. Aqua suggests that instead of trying to improve all aspects of his acting at once, Melt should focus on enhancing one specific aspect. She points out that his upcoming duel with Monme presents the perfect opportunity for him to showcase his talent.

Melt's determined eyes (Image via Doga Kobo)
Melt’s determined eyes (Image via Doga Kobo)

In the current time, Melt pulls off an incredible action stunt that amazes the crowd, earning their admiration. Abiko is extremely impressed as she believed recreating the manga’s scene was unattainable. Meanwhile, Yoriko watches in amazement.

Upon reaching the backstage area, Kana inquires with Aqua if the idea was his, to which Aqua clarifies that he merely suggested utilizing the perception of poor acting to their benefit, and all credit should go to Melt for the rest. Though initially unimpressed by the act, Sakuya is ultimately taken aback by the unwavering determination evident in Melt’s gaze.

Oshi no Ko: Melt’s Connection with Kizami in the Closing Events of Season 2 Episode 6

Aqua as Toki (Image via Doga Kobo)
Aqua as Toki (Image via Doga Kobo)

In the final moments of Oshi no Ko season 2 episode 6, a new flashback uncovers Melt’s difficulties during rehearsals. Constantly overlooked, he experienced a sense of alienation and inadequacy as he struggled to connect with his character, Kizami, unlike his fellow actors. However, through reading the manga at home, he discovered that he and Kizami shared many similarities, causing him to break down in tears but ultimately allowing him to better understand and portray the role.

In the current moment, Melt prepares for his limited time to shine on stage against Monme. Sakuya observes how Melt’s powerful display of emotions connects with the audience. Despite Kizami’s defeat to Monme, Melt’s performance impresses the crowd and receives a round of applause. Yoriko is moved to tears, while Aqua, Abiko, and Raida are in awe as they watch.

Kaburagi’s intuition about Melt turns out to be correct. The episode concludes with Sakuya giving her approval to Melt’s backstage performance, motivating him to continue his strong acting in the upcoming acts.

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