The Most Controversial Scene in Severance Season 2: An Unforgettable Moment

In a striking moment in Severance Season 2 Episode 3, the narrative takes a dark turn, especially regarding the character Mr. Milchick. Even by the already peculiar standards of Lumon Industries, this episode manages to cross boundaries that leave its employees, particularly Milchick, grappling with discomfort.

Currently overseeing the MDR department following Ms. Cobel’s dismissal, Milchick faces an uphill battle. He was given a mere 48 hours to assemble a new team for Mark after the overtime Contingency debacle—only to have that team rejected and face ridicule, being dubbed a “shambolic rube” named Milkshake. To further complicate matters, Milchick must persuade Mark, Irving, and Dylan’s Outies to return to work, a task that curiously involves an abundance of pineapples. Additionally, he has to contend with lingering reminders of Ms. Cobel, as his computer home screen still displays her name.

Despite these challenges, Milchick scrambles to maintain his composure. However, as the episode unfolds, Lumon’s unconventional expression of gratitude toward him raises eyebrows.Warning: spoilers follow!

Controversial Gifts: Re-canonicalized Kier Paintings

In a bid to celebrate Milchick’s “betterment, ” Lumon presents him with a collection of “re-canonicalized”paintings depicting Kier Eagan’s life cycle, albeit with the controversial twist of portraying Kier as a Black man. The only alterations made involve skin tone; his blue eyes and characteristic hair remain unchanged.

This peculiar gesture elicits a reaction that embodies its awkward nature. Milchick’s immediate response—”Oh, my” —reveals his discomfort with the implications behind this so-called gift. Meanwhile, Natalie, the ever-optimistic Board liaison, explains the rationale, stating, “The Board austerely desires for you to feel connected to Lumon’s history. To that end, please accept from the Board these inclusively re-canonicalized paintings intended to help you see yourself in Kier, our founder.” As she speaks, her expressions suggest she may comprehend the underlying tension in the situation.

Milchick and Natalie in Severance Season 2

As Natalie relays a message from the Board claiming her own appreciation of these paintings, Milchick attempts to express gratitude, but his inability to articulate his feelings speaks volumes. This exchange underlines a fundamental conflict between his professional obligations and his internal unease regarding Lumon’s intentions.

Later, Milchick chooses to cover the paintings, returning them to their box and placing them out of view. This action provides a subtle yet poignant indication of his growing distrust towards Lumon.

In a post-credits discussion, director Ben Stiller reflects on the decision to incorporate the paintings, emphasizing the exploration of racial identity within Lumon. He elaborates, “Natalie presents Milchick with these paintings of Kier, and it’s a strange moment where Milchick has to process this and try to question what the motivation behind this is.” Dan Erickson, the creator, notes that Natalie’s intense gazes at Milchick may serve as a protective gesture toward him, considering Lumon’s surveillance culture.

Tramell Tillman, who portrays Milchick, adds depth to the discourse, questioning whether Natalie truly understands their situation and whether she will ultimately serve as an ally.

Reactions to the Kier Paintings

The unveiling of the paintings has ignited a firestorm of reactions online, with discussions surfacing on platforms such as Reddit. One user provocatively asked, “Is that like blackface Kier?” Another highlighted the superficiality of the change, noting, “It’s the fact that all they changed was his skin color; he still has the straight grey hair and blue eyes.”

Further comments reflected on Milchick’s deepening sense of disillusionment with Lumon, with one user stating, “I get the feeling that he doesn’t really feel respected by Lumon.” There was also speculation about Milchick’s potential anger issues stemming from this lack of respect.

Another user aptly remarked, “I found that interesting as well. It’s like a new take on blackface, modified to include a skewed understanding of representation.” This sentiment resonates, suggesting that these paintings serve as a satirical reflection on the nature of corporate representation.

Natalie’s reactions have also come under scrutiny, with commentary on the intensity of her performance. Observations like “It’s like she’s held at gunpoint every time” shed light on her internal conflict and ongoing pressure within the Board’s oppressive atmosphere.

As the controversy brews, audiences eagerly anticipate the next chapter of Severance Season 2. Stay informed about upcoming episodes with our comprehensive release schedule.

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