This week marks the theatrical debut of Rust, a western film that has been shrouded in controversy due to a tragic accident that occurred on set. The director, Joel Souza, has openly criticized the film’s star, Alec Baldwin, particularly referencing Baldwin’s reality television show, The Baldwins, in a recent statement.
The release is overshadowed by the incident that led to the death of cinematographer Halyna Hutchins and injured Souza himself. The film’s armorer, Hannah Gutierrez-Reed, was convicted of involuntary manslaughter, receiving an 18-month prison sentence. Meanwhile, Baldwin faced no charges after prosecutors reportedly withheld critical evidence that could have benefitted his defense.
Reflections from the Director on Set Challenges
Alec Baldwin in Rust.
Initially hesitant to resume production following the tragic incident, Joel Souza revealed to The Guardian that he felt compelled to finish the project, especially for Hutchins’ family.“The family wanted it completed, ” he stated.“I had been repelled by the thought of going back, but now it started to appeal. I couldn’t live with the idea of someone else doing it.”
Despite difficulties, it was the support from his crew and family that helped him through the emotionally tumultuous process. He candidly described his mindset as “a mess going in and a mess coming out.”
The working relationship with Baldwin was complex. The two clashed at times, particularly regarding Baldwin’s character in the film. Souza emphasized the necessity of unity among the cast and crew during the emotional reunion for filming. He noted, “It’s not that I’m standing there with my foot on anybody’s neck, but there were fights I needed to avoid. That was the only way I could get through this.”
While their professional interactions improved over time, Souza humorously remarked that he did not watch The Baldwins, quipping, “I think I was busy hitting myself in the face with a frying pan that night.”
Critical Reception of Rust
Set in the 1880s in Wyoming, Rust tells the story of a 13-year-old boy who inadvertently kills a rancher and subsequently goes on the run with his estranged grandfather. Early reviews have been generally positive, albeit not resoundingly enthusiastic.
The Guardian describes Rust as “a solid piece of work, ” praising the cinematography executed by Hutchins and Bianca Cline, the latter of whom filmed about half of the unfinished scenes.
Variety, however, comments that while the film “delivers, ” it lacks the adventurous spirit that would make it memorable. In contrast, The Hollywood Reporter acknowledges that although the film is well-made and sometimes engaging, it suffers from a predictable quality that detracts from emotional depth, stating it “struggles to accomplish” more impactful storytelling.
On a more positive note, Deadline highlights the themes of loss, regret, and redemption prevalent throughout the film, crediting Souza’s effective direction and Hutchins’ stunning visual depiction of the American West.
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